Series:
My work unfolds at the intersection of personal memory and collective experience, where the act of painting becomes a process of excavation, reconstruction, and reinterpretation. My practice moves fluidly between figuration and abstraction, blending geographical mapping with intimate recollections, architectural forms with emotional topographies. Each series is a distinct inquiry into how space and events—both real and imagined—shapes our perception of identity, history, and belonging.
My oeuvre is marked by sensitivity to the traces left by time. My works do not merely depict; they evoke, distill, and reconfigure visual and emotional landscapes. Whether through the silent presence of abandoned places, the impersonal yet profoundly human absence of facial features, or the rhythmic repetition of marks and patterns, my paintings interrogate what remains and what is lost in the process of remembering.
This archive presents a selection of my research, structured in thematic series that navigate the thresholds between the personal and the universal, between recognition and abstraction. Each body of work is an invitation to engage with the layered nature of memory—its instability, its persistence, and its inherent subjectivity.
